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It's been a rough couple of weeks. I'm battling some very heavy depression and I am considering going to get some inpatient treatment. I apologize for not keeping up with the blog the past week, however I posted so much content in May that you should have more than enough to check out. I'm feeling a little better today so I am going to put some things up and have some posts set up in advance. If for some reason I do end up getting checked in somewhere, I will let you all know.
Please put me in your thoughts and prayers, well wishes, VooDoo rituals...etc. I'm dealing with some dark mental issues and the last thing I want to do is hurt my Family and friends.
(featuring Happy Happy Joy Joy : The Ren & Stimpy Story)
Remember when you would get baked with your friends, family, or significant others and watch Ren & Stimpy marathons before we found out that creator and Animator John K was a creep? Yeah, I know....Well, let's focus on how awesome the show was.
On Memorial Day Weekend 2023 I streamed the entire 1st two seasons of Ren & Stimpy, Ren & Stimpy's Adult Cartoon Party as well as some extra Spumco goodies (end of Part Two). This is the archive of that broadcast.
PART ONE starts off with The Documentary about the show "Happy, Happy, Joy, Joy ; The Ren & Stimpy Story" and believe it or not. John K agreed to be interviewed and he addresses the creep stuff as well. I'm not condoning his behavior, however I will give him props for not being a coward and talking about it and facing his actions. I can't change what he did to ruin his career, and I as I said, I don't condone his actions.
I'm also not going to ignore the show because of issues and controversy outside of the show itself. You can't cancel whats already been done. MANY people worked on the show and put in long hours of hard work to entertain us. He may have been the creator but he isn't the lone ranger here either. It was an amazing show and It's a shame he sunk to the levels he did. Wanna know more? You can Google it or watch the documentary. As much as I hate Buzzfeed and other garbage journalism websites, they did an awesome job reporting the John K stuff.
Starts off with The Documentary, Season One and some of Season Two UNCUT with all the bits and pieces that Nickelodeon had cut from the broadcasts.
The continuation of Season Two (UNCUT) followed by Ren & Stimpy's Adult Cartoon Party and the last hour John K's Yogi Bear & Ranger Smith Cartoons, and some other surprises.
Some incredible math rock from Brazil. I compiled my favorite tracks of theirs from their Bandcamp Discography.
This Is Gwar (2021)
What started as a kitsch attempt at a movie in Richmond, Virginia in the 1980s eventually evolved to be GWAR. What is GWAR, exactly? At least half of Scott Barber’s documentary toys with that very question. On the one hand, GWAR is much more than a collective of artists and musicians performing obscene stage shows and singing heavy metal. On the other, that’s really all there is to it. This is GWAR confidently asserts itself as the definitive chronicle of one of the most fascinating heavy metal bands ever assembled, and as a stunning story in its own right.
Following key members of the band over a 35-year period, This is GWAR tracks the infamous costumed band as they discover their musical and artistic identity. Described as “the most iconic heavy metal/art collective/monster band in the universe,” GWAR are notorious for spraying audience members with imitations of various bodily fluids, performing lewd actions on stage, and for their biting social commentary hiding beneath the apparent madness. The extravagance of their costumes, sets and music videos are matched only by the power of their music, which has evolved from a punk-inspired medley to a fully fleshed heavy metal super act.
Asides from providing a detailed insight into the band itself, Barber’s film sets out to achieve a number of things. Rather than picking a specific thematic focus – which arguably might have made the film more nuanced – This is GWAR spotlights everything from artistic elitism to the inherent difficulties of collaboration and far-right political censorship. At times it can feel like Barber is clinging to too many branches, but he always brings the focus back to those at the centre of GWAR who make it what it is. Each member is self-reflective about their own artistic journeys and turmoil, confiding to the camera with remarkable honesty. By always returning to those behind the masks and the onstage antics, This is GWAR stops short of descending into a mismatched collage and remains a compelling, singular portrait.
The film illustrates the band’s colourful nature by interspersing animation throughout, at times deliberately mimicking comic strips. Barber makes sure that you have more than just the band’s word to go off, and that GWAR’s personality shines through in the visuals. These often accompany the most memorable moments, such as a very funny gatecrashing of the Grammys (where they were explicitly told not to arrive in costume) and slightly absurd appearances on television alongside Jerry Springer and Joan Rivers. GWAR’s performance is not limited to the stage, as a vast collection of archive footage and interviews attests to.
This is GWAR manages to counter the silly with the deeply profound, with a balance that strikes a similar chord to Jeff Tremaine’s The Dirt and arguably improves upon it. GWAR have had more than their share of heartache and trouble, and while the film stops short of offering any resolution, it doesn’t shy away from these difficulties. It is in these moments that perhaps GWAR’s ultimate purpose becomes clear: family. Those who have been with the band for the longest have devoted three decades of their lives to it. The way that Barber manages to elicit the strength of the bonds within the group, despite the members rarely sharing the screen together during the film itself, is remarkable to watch.
“The world needs GWAR” as one band member puts it. But equally true is that GWAR needs the world. The world is what gives GWAR and its members’ stories such weight and importance, even behind all the devilish tomfoolery. Without the world, GWAR’s actions suddenly lose all meaning. It is by placing GWAR so deliberately in a changing, messy context that Barber captures their full appeal – complete with projectile menstrual blood, demons hell-bent on the destruction of Earth, and a singing toilet with teeth. For fans of GWAR, this is a diamond in the rough. For everyone else, it needs to be seen to be believed.